Showing posts with label Community Participation. Show all posts
Showing posts with label Community Participation. Show all posts

Monday, 16 May 2011

Indian Farmers' Woes and Joys



Key Word: Art, Farming (i.e. Agriculture, Aquaculture and Horticulture (forestry) collectively or separate)

Five Elements
Traditional farmers’ lives that depend on monsoon are almost identical in many regions of the world. Hence the following text is inclusive.

Very few would ever believe farmers are artists. Farmers' art is most risky vocation, among all types of occupations, professions and vocations. Even a few may not understand this fact though they may know what is farming.
Haiku by Remigius de Souza
Farmer's art takes place on real field down to earth. Like in words, painting, photography etc. it does not create virtual reality. Farmers take the colours from Mother Nature - Srishti, of five elements, Earth, Water, Fire, Air and Space, and on a canvas of small or big plot of land; he works with contemplation. They are never verbose. They are fully in contact with every nook and corner of their farm; likewise the health of all the plants.
Haiku by Remigius de Souza
Farmers are not only artists, they are also planners, but not like town planners, who flatten the lakes and land, and cut it into pieces, make their 2D drawings to build 3D art of cities. Farmers use undulating land for management and conservation of water and land.
Poem by Remigius de Souza
Farmers are management experts, too! They manage land, water, seeds, fodder, weeding, manure, tools, carting, storage, other food crops, rearing animals and birds. And equally important are the repairs, maintenance, examination, improvement and policy planning in every aspect of home and farm, which is part of their homestead. All of these, they do within available resources. Many farmers may be ill-literate but are not 'un-educated' as the elite think.
Poem by Remigius de Souza
Traditional sculptors, for years, make Ganesha, Durga idols in clay. They are aware the deities are to be immersed. Yet they work with devotion, faith, without boredom. Farmers too work with same dedication. Their labour of love, therefore, is elevated to the status of 'vocation', of art. In their karma there is element of contemplation – Dhyan – hence it is 'spiritual' too. Traditional farming also involves action by Community Participation.
Haiku by Remgius de Souza
Politicians are like white clouds.
The educated elite class have an impression that farmers work only four months (during the season) and the rest of year lazy around. Even the experts like Amartya Sen are not exception. What about the governments and bureaucrats?
Haiku by Remigius de Souza | Image by Soojung Cho
More than natural calamities, the real cause of farmers' woes and miseries are the government and bureaucracy, market and industry, and their wrong priorities of progress and development.

Note: There is lot to learn from farmers:
1. Watering the farms: Learning from the people. Governments could learn how to save resources, particularly currency spent for development, and seal its draining at the bureaucratic level - the starting point, which consumes its major part.
2. Cow dung, Rice and Amartya Sen (a critique):Challenges of 21st Century
3. SEE: Soojung Cho’s Artworks of Inner Vision (http://www.soojungcho.com/home.htm )
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©Remigius de Souza, all rights reserved.

Saturday, 18 September 2010

SAVE OUR TIGERS Campaign Corrected

‘Historically the study of evolution has concentrated almost exclusively upon the animals. If plants are mentioned it is only in passing and usually to reconstruct the environment in which to view the animal record.'(The opening sentence of the book, “The Evolution of Plants” by Willis, K.J. & McElwin, OUP, 2002.)
International Year of Biodiversity 2010 needs to implement DOWN TO EARTH action rather than sermons and slogans. It also needs to curb wild use of natural resources by the persons / organizations in power, and use peoples’ participation. 

 
To Save Our Tigers,
Save Plants to
Save Forest to
Save Water to
Save Land to
Save Livelihood to
Save All Living beings to
Save Human beings to
Save Our Sanity.
 
We give due credits to the AIRCELL for their noble intention to support ‘Save Our Tigers’ campaign while placing advertisement to promote their product that recently appeared in print media.

We sincerely and earnestly feel environmental and ecological balance between natural, rural and urban areas for sustainable living must be restored. It must be on equitable basis for all living beings – plants, animals (wildlife), aborigine communities (Scheduled Tribes), peasants in rural and forest areas, and the urbanite; not merely for – as is the buzzword goes – sustainable development.  

We make an effort to add few missing but most important elements, within same area, at the risk of being it called plagiarism.

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© Remigius de Souza, all rights reserved.

Tuesday, 7 September 2010

All Are Architects

Honeybees and Hive
 ALL ARE ARCHITECTS: Honeybees are architects; Spiders are architects; Weaver-birds are architects; Beavers are architects; Ants are architects... 

All are architects, because at primary level architecture is Shelter; that matters! The Title 'Architect' is protected by law in some countries, and following them in the First World India. This is so because of ignorance about real life and real issues of people.

However, thankfully, the term “architecture” is not legal.

In India now there may be about 50,000, perhaps more, qualified architects. How many of them have taken legal title is doubtful. Imagine, 1200 million people have 50K architects! They will have no time to cope up the amount of work they should have had. 


Weaver Bird's two nests are never same

Spider's Site Selection

Yet there is monopoly of a few architects in the profession. Forty years ago, one architect, a foreigner of credibility, (I don't mention the name) exclaimed in Ahmadabad, "these mafia architects!"    

While “shelter”, howsoever may have stood the test of time, is considered “low” in esteem by civil society; “Architecture” is “high art” surrounded by mystery. In the present scenario, “architect” belongs to a “service class” – in Indic term, “Neo-Shudra” – in the created by Industrial Civilization, on the outskirts of Global village.   


Anthills
 Well, that was a case earlier too. Emperor Shah Jahan cut off the hand of the architect who created Taj Mahal! 

Heinrich Robert Zimmer, in his book on Indian art (Myths and Symbols in Indian Art and Civilization), quotes a story of the gods’ architect, Vishwakarma, who had built a palace of Indra, the king of gods. Indra brought him virtually to tears. So he approached Vishnu, and he took Vishvakarma to Shiva for recourse. Shiva, in a guise of an ascetic, gives Indra a vision to understand that his glory is short-lived like a millions Indra that have passed away before him. The mythical story imbibes aesthetics and ethics. 


MY HOUSE IN KONKAN REGION, WEST COAST, INDIA 


My mother was the owner - architect of this house. It was built by Community Participation, where carpenters, masons, adobe wall builders came from village and surrounding area. I was in teens then. I took by first lessons 'mud house building' here.My mother exercised her autonomy about planning, size, materials to be used, in consultation with all workers: it is in regional style. This house was built by self-help.

It is a mud house - mud floor, mud walls and mud plaster; local latarite stone facia for plinth, and pillars; timber for pillars, bamboo for roof scantling, wooden doors and windows; and country clay roofing tiles. 

I worked almost in all operations as a helper, from collecting stones, and from foundations to roofing, and later regularly attended to maintenance of mud floors, mud walls and roofing. This is a case study: All over India millions of people exercise self-help, autonomy, community participation, planning, maintenance and economy. 

In rural India children learn 'life-supporting-skills' at early formative age. May the elite scorn it as "child-labour", while pampering their urban rich brats by putting them in the best school in the city or a best in the country... What contribution the parents do other than spending money! Modern India has failed to create better model of education than  that has been existing in the past ten thousand years, in past six decades.


NOTE: 1. Images are by Remigius de Souza. 
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© Remigius de Souza, all rights reserved.

Friday, 5 January 2007

Community Participation

Community Participation: Paddy farming in Konkan | Image by Pooja Rani

‘ZOLE’ IS A WORD FOR ‘COMMUNITY PARTICIPATION' in local Marathi dialect, just across the creek from Mumbai on the mainland of coastal district Riagad: So near yet so far!

Community participation at its tail end is there in the mega city, evident from the public festivals of Lord Ganesha. B. G. Tilak started the public festival to reinforce the Independence Movement. The citizens managed it by community participation. Even after the political independence, they celebrated it with the same zest for some time. Now it has turned into ‘commercial participation’ with sponsorships coming from trading houses of consumer goods etc. No more Bhajan* – Keertan*, no more Zimma – Fugadi*, instead the audio music packages of devotional / pop songs blast on the public address system.

After the independence, the governments, which took over the rule from the British, ignored the millennia-old tradition of community participation. Independence Day – 15th August 1947 – was indeed a memorable occasion. I was then in the primary school at my native village. The government distributed packets of sweets on that day to us, all the school-going children. The ‘other’ children outside did not get any. Tilak was no more. Gopal Krisha Gokhale, who fought for free primary education for all, was no more.

Gandhiji, the Father of the Nation, may not have heard of this evil discrimination, a petty event. He was struggling somewhere; and the fractured communities had turned to ‘communal’ riots. We hear that in the backyard of Mumbai there are children affected by malnutrition; even die, while the governments plan ‘mid-day meals’ for the schoolchildren. One is silently corrupting the mind like cancer; the other comes with a bang. Which one is the worst than the other?

Few elites and the learned have picked up an imported idea of ‘public participation’ in recent times. There are volumes written about it, yet it remains at lip service, or “I decide, you follow” idea. If people of certain class have lost their roots due to colonization, and in the wave of modernization, it is no wonder.

But there are people who have lost their roots because of persecution, displacement, development, marginalization, deforestation, conversions, exploitation and oppression. One computer displaces 100 persons. One TV set colonizes a thousand persons. These assaults have left them dazzled, stunned; they cannot even cry. If an earthquake, or a cyclone or tsunami destroys everything – life and property, the survived ones can at least cry, and help each other.

Otherwise, after the politically induced Ganesha Public Festival, the next on the agenda could have been ‘Water and Sanitation’ or ‘Hygiene and Civic sense’ festivals through community participation, for not only the mega-cities, but also the towns and villages. Indeed, we Indians love festivals. Even some god could have been associated with it. Moreover the industrial and commercial houses and corporate sector could have had contributed the lion’s share; perhaps that could have had washed away, or absolved them of, some of their sins of polluting the natural, social, political and economic environment of the country.

The traditional community participation touches almost all aspects, may it be education, farming, house building, water management, local fairs and festivals, and much more, of individual and the collective living wherever a community still does exist. For example, Warlis at Dahanu taluka in the backyard of Mumbai, we noticed, build indigenous dams / weirs of stones collected from the riverbed, tied and held with bamboos, bullies and vines, at the end of every monsoon. Warli paintings are famous among the elite of Mumbai; hardly anyone mentions about their dams! Some time back we had another revealing experience in Tamilanadu.

With ten of my students, I was attending the second Congress of Traditional Sciences and Technologies of India (1995) at Chennai. We took some time off to look into the backyard of the city. We visited Kanchipuram, a historical city, a seat of Sri Shankaracharya and famous for silk sarees. We went around the neighbourhoods, temple complexes and silk saree shops, and spoke to people. The following day we visited one of the villages that produce silk sarees, about ten kilometers away. We remained there from dawn to dusk.

It is a small hamlet of families belonging to one of the castes in the village. They receive silk yarn from the cooperative societies at Kanchipuram. Every member of the family works in various operations in the production of the sarees. Even the children work; it’s not ‘child labour’; it is education by ‘experiential learning’, which many of the elite often miss. The operations such as sizing, where quick working is necessary, 10 or more people from other families come to help. Sometime two weavers work on one loom. They use simple bamboo and wooden tools other than loom. One or many, they work with amazing coordination through all operations, marginally literate as they may be. They were working through the day combined with other household activities.

Some of them have farms, but they do not produce silk. It comes from outside. If they learn the skills, they too could produce it as others do. They are paid rupees five hundred for each saree. (Perhaps, it may have increased now!) What is the ecological–environmental–energy cost and ‘currency-cost’ of this produce compared to industrial product? We leave it to the experts. To witness such actions helps to define ‘community’ better than by dictionary or discourse.


I obviously remember my primary school days when I learnt spinning and weaving for three years under ‘basic education’, and practiced in spare time: now no more. The cotton was brought from outside as it doesn’t grow in Konkan. The spinning and weaving education was soon discontinued. Academic bureaucrats failed to see there were other local venues for basic education other than Khadi, which they blindly followed. In any case, what is the role of the British-made formal education to disintegrate ‘community’? What will be the avatar of ‘Panchayati Raj’ in the 21st century?

The essence, the first and the foremost, of this community participation is ‘sharing of the work, place and space’. The most vital, though silent, element is ‘decentralization of power’. Would it be palatable to the hierarchies / bureaucracies? It also is a ground for collective decision and collective creativity. The industrial societies ruled by capitalist economy may not even know it. Their members face the crisis of individuality and identity. Some of them, however, have been campaigning and fighting for 30/40, or even less, working hours a week, of course, within the social-economic-political structure they follow. But those who are compelled to work for more than 80 hours a week, either in the first world or third-world, may not be ready to share it with their fellow citizens; they may prefer hoarding it! Even IT industry, though its trait is fast – faster – fastest work-speed, is not an exception. More the speed, more are the working hours!

The events mentioned above are out of the millions that are taking place daily across the country. We do not know how long it will last. Because we, while aping the so-called advanced societies, are out to destroy, by whatever means – legal, religious, political, or developmental or any other – the ‘community’ and ‘community participation’: A World Heritage for Conservation.

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NOTES:
* Bhajan: devotional songs mostly composed by the saints, performed individually or collectively, with or without musical instruments.
* Keertan: discourse with devotional songs and commentaries on religious / social issues before a congregation.
* Zimma, Fugadi: women folk dances combined with folk songs; people believe Lord Ganesha loves them.

(This article was published in Janata, vol. 64 no. 4, March 5, 2006, Mumbai.)

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© Remigius de Souza. All Rights Reserved