'Tentacles' of Octopus Remi: Art in Metafiction

'Tentacles' of Octopus Remi: Art in Metafiction
By Remigius de Souza

"Srishti – Mother Nature – has Plenty to share; Nothing for sell; Nothing to buy. That is 'Reunion with Mother Nature' – Srishtiyoga." (SRISHTIYOGA July 7, 2011)

‘Tentacles’ | Remigius de Souza| 1987 | water colour or paper

Octopus Paul the Predictor one day suddenly came in limelight.

What was the cause? It predicted results of the World Cup 2010. That took the First World Nations by storm.

Twitter was crowded by twits that blocked the site for few hours! Such a craze... blind faith! That too from so-called advance societies! Amazing!

A European nation was even ready to buy that animal.

'Tentacles', Remigius de Souza's self-portrait, was published on Net but none was moved. Not even his friends!

Remi generally doesn't look into mirror. Because he notices 'octopus' in the mirror! What then could be his misery while wandering the streets of Mumbai metropolis?

He notices millions of people (his aborigine and peasant kinfolks) in the glass-clad multi-storied buildings mushrooming in the concrete jungle. But that never stops Mumbai!

Octopus Paul was a baby, lost to its community and natural habitat. After a few months it died. Relieved!

Did anyone ask Octopus Paul the predictor before it died, "When will this modern Industrial Civilization, which has become powerful within few centuries, vanish?" We have not heard.

Oh, what do you ask! The very strength of the powerful is their weakest point. There is a mythological Indian story of Bhasmasur that repeats again and again.

In reality the mighty industrial society has gone — if not dead, decayed — with the octopus.
 
In this self-portrait, 'Tentacles', Remi notices himself swallowing Natural Environment by his tentacles spreading and reaching across regions far and wide.

Call it his misfortune or his fate of unwanted share, or call it a ruthless criticism on Industrial Civilization. Words, images, movies, myths, scriptures, prophets, avatars... all tools to earn (power and profit) and/or entertainment! Does it make any difference?

Remi, however, laughs at himself at his cost.

NOTE: 1. As we write this post, there comes news about, Shuttle Atlantis docks with space station for last time! What a relief for the hungry masses of the world!! Better late than never!!!
2. Remi doesn’t watch cricket, hokey, football or such events as well as Olympics, World Cup etc. for he believes that any game must be played for leisure, and such mass events consolidate the centralized powers.
3. I have corrected some errors and edited this post. I request the subscribers to please bear with me. Thanks!


Mumbai Metropolis on Google Map

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©Remigius de Souza, all rights reserved.

Anyone for brown collar job?

Is there anyone for brown collar job? (metafiction)

Brown collar job means farming – agriculture etc. – as an art.

Farming is a highest form of art; a compound of art and science; the beginning of biotechnology (current biotechnology, now, is in the safe custody of intellectual property rights); and constant contact with five primal elements – Earth, Water, Fire, Air and Space, as some Indians believe.

However in the Age of ET-IT who would be ready for such a job, in India? Today 'mostpeople' [1] prefer white collar or blue caller job; job that pays cash and perks! Who does need to work that feeds! Haven’t their forefathers made enough estate!

Who does wish to toil in soil-muck, sun-rain-cold? Soil has become ‘untouchable’ in the age of progress and development, and the farmers are non-entities.

"Farming is best, Commerce is medium, Service is low"

When was it we often heard this idiom? Our nation, then, was on the threshold of Independence. What dreams did our toiling peasants may have had seen?

Water Woes –1: Taxing the life of the displaced Indian peasants in Mumbai

Today, however, we notice a different scenario. The farmers are debt-ridden, some chose to commit suicide, they are left without literacy and appropriate education for six decades, their life-line – land – is legally acquired for the benefit of the First World India.

Water Woes –2: Taxing the life of the displaced Indian peasants in Mumbai

They are getting displaced from their ancestral homestead as a price of India’s progress and development. Millions of displaced villagers move to cities, megacities in hordes. You could notice them in towns, cities and mega-cities in the slums and along transit lines.

Field days for commission agents

And now commission agents, pimps of progress, have a field day to make hay, and to reap profits in free trade and globalized market. From the farms to the end-users, the farm-products go through a chain of brokers and sub-brkers.

Now, we hear, it is alleged that even employment in bureaucracy has 'extra' earning according to the status in the hierarchy.

Bureaucracy everywhere

As a result bureaucracy has penetrated from schooling to institutions – not only governmental institutions but also other public and private, social and political organizations. It has entered even in the ancient institution of 'family': it is worth investigating the break up of family, which has been the unit of community (i.e. a cohesive collective), most essential for democracy.

Alienation of the educated

The root cause of 'alienation of the educated' is in the mass education started by the British. Any changes subsequently made in the prevailing education system in the independent India have been superficial by knee-jerk reaction, which do not take account of the culture of plural mass (sic) society.

“Pangira” – Marathi movie exempted from entertainment tax

'Pangira' is a recent movie in regional language, Marathi. It is about the plight of farmers. It is more of a documentary, though it has a story based on a Marathi novel by Mr. Vishvas Patil. Maharashtra government obviously has exempted it from entertainment tax.

The movie ends with a gory event – police firing on agitated farmers, killing several of them. Such violence is a typical in movies and reality.

Unfortunately, the movie ends at an event where it should have started! Firing and killing the farmers is not the end / answer to farmers' plight. This story / movie has missed an opportunity provide creative alternative to the system.


This reminds us of a novel by Sarat Chandra Chatterjee, 'Pather Dabi' (The Demand of the Road, 1926), based on armed uprising for freedom of India. It was banned by the British. The ban was lifted after Independence. The book ends with constructive creative option in precise words. We quote a specific paragraph near the end of novel:
Sarat Chandra Chatterjee wrote about 100 years ago [2]

“... from now onwards to serve village is my only solemn vow. Once there was such a time that village was life of our agrarian country Bharat. Village only was her bone-vein-blood. Today that village is on the way of destruction, the elite leave village and come to a city, from city itself they wield power upon village and from there they do exploit them. If they have any relation it is only this, none other. May they not keep? But until now the farmer who provided them with food for belly and cloth for body, that same farmer today is starving, is illiterate, and is haplessly on the way to death! Now onwards I shall devout myself for their welfare. Bharati also has agreed to help me wholeheartedly in this work. Now we will open school in villages. if need be, she accepted to teach children moving from house to house. My sanyas is for the country - not for myself, doctor."

Every year lakhs of science graduates come out of universities; some of them are biologists or botanists. Most of them end up doing clerical jobs. Their learning in science disciplines does never leave the laboratory and come "down to earth"!
Notes:
1. The term “mostpeople” is used by poet E. E. Cummings referring to people who don’t practice creativity.
2. This quote is translated from Marathi translation titled “Savyasachi” by the late B. V. Varerkar, and not from the original in Bengali (pages 399-400). It is only for information in simple language.

Related to this post

• Indian Schooling | 11 April 2007
• Politics of Literacy in India: Challenges of 21st Century | 13 January 2007
• Farming and the Politics of Education in India: Challenges of 21st Century | 09 January 2007
• One Step Quantum Leap in Education | 04 March 2007

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©Remigius de Souza, all rights reserved.

Indian Farmers' Woes and Joys

Key Word: Art, Farming (i.e. Agriculture, Aquaculture and Horticulture (forestry) collectively or separate)

Five Elements

Traditional farmers’ lives that depend on monsoon are almost identical in many regions of the world. Hence the following text is inclusive.

Very few would ever believe farmers are artists. Farmers' art is most risky vocation, among all types of occupations, professions and vocations. Even a few may not understand this fact though they may know what is farming.

Haiku by Remigius de Souza

Farmer's art takes place on real field down to earth. Like in words, painting, photography etc. it does not create virtual reality. Farmers take the colours from Mother Nature - Srishti, of five elements, Earth, Water, Fire, Air and Space, and on a canvas of small or big plot of land; he works with contemplation. They are never verbose. They are fully in contact with every nook and corner of their farm; likewise the health of all the plants.

Haiku by Remigius de Souza

Farmers are not only artists, they are also planners, but not like town planners, who flatten the lakes and land, and cut it into pieces, make their 2D drawings to build 3D art of cities. Farmers use undulating land for management and conservation of water and land.

Poem by Remigius de Souza

Farmers are management experts, too! They manage land, water, seeds, fodder, weeding, manure, tools, carting, storage, other food crops, rearing animals and birds. And equally important are the repairs, maintenance, examination, improvement and policy planning in every aspect of home and farm, which is part of their homestead. All of these, they do within available resources. Many farmers may be ill-literate but are not 'un-educated' as the elite think.

Poem by Remigius de Souza

Traditional sculptors, for years, make Ganesha, Durga idols in clay. They are aware the deities are to be immersed. Yet they work with devotion, faith, without boredom. Farmers too work with same dedication. Their labour of love, therefore, is elevated to the status of 'vocation', of art. In their karma there is element of contemplation – Dhyan – hence it is 'spiritual' too. Traditional farming also involves action by Community Participation.

Haiku by Remgius de Souza

Politicians are like white clouds.

The educated elite class have an impression that farmers work only four months (during the season) and the rest of year lazy around. Even the experts like Amartya Sen are not exception. What about the governments and bureaucrats?

Haiku by Remigius de Souza | Image by Soojung Cho

More than natural calamities, the real cause of farmers' woes and miseries are the government and bureaucracy, market and industry, and their wrong priorities of progress and development.

Note: There is lot to learn from farmers:
1. Watering the farms: Learning from the people. Governments could learn how to save resources, particularly currency spent for development, and seal its draining at the bureaucratic level - the starting point, which consumes its major part.
2. Cow dung, Rice and Amartya Sen (a critique):Challenges of 21st Century
3. SEE: Soojung Cho’s Artworks of Inner Vision (http://www.soojungcho.com/home.htm )
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©Remigius de Souza, all rights reserved.

Minimal, Minimalist, Minimalism Defined

Key Words: Minimal, Minimalist, Minimalism, Environmentally Sustainable, Art, Science

Minimalism started as a trend in art and design in the west. However, minimalist way of living, objects or artefacts have been existing from unknown times. Customarily it refers to art and design, which puts it in a box of a fashion, where a person may not 'walk the talk'.

Minimal is not minimum, but is to go beyond or achieve the best within minimum in living, thought and action. Minimal implies essential; it is not merely simple. It is neither junk or trash nor extravaganza.

Definitions, however, limit the scope of the defined. We, therefore, start with examples, and arrive at our definitions according to our perceptions. There is no formula! However, it may not be out of place here to add Universal Definition of Design by Nature written by Martin Jones, bio-archaeologist.

Let us start with primary and most familiar examples: Water (by Mother Nature) and Food: Roti – 'bread' (home made – by Mom).

Water is one of the minimalist creations by Mother Nature

WATER is fascinating Element: It soft, malleable, takes the shape of a container, always goes down the soil or to meet the sea, in heat vaporizes, moves meekly around obstacles on the way, cuts through rocks, mixes salts-minerals of soils… 70% of our body is water.

But there comes a time, when this taken-for-granted and often ignored element dances Shiva's Tandav of tsunami!

Water in Science

Water (defined as: 'H2O') is one of all the expressions, creations of Mother Nature! As a matter of fact, all her creations – from microbes to mammals, from algae to giant banyan – are minimal events. This sets an example and also a definition of 'minimal'. Mother Nature is our first and the last Guru!

Such tsunamis also happen in civilized societies. Whenever the arrogant and powerful classes / castes exploit and push the lowly – the sea of people – to the brink of subsistence, the waves of tsunami arise. This is the power within 'minimal'!

Roti as food is minimalist act

FOOD: vegetables, roots, tubers, grains, fruits... each of these have their unique taste, flavour and nutrition. They are also revealed by minimal process and in eating them fresh.

But having four meals a day, on full stomach, we can't fancy their tastes and nourishment; we find it ordinary. We become imaginative and add embellishments, decorations, ornaments... new experiments, processes in preparations of food.

There begins a market competition and struggle to make tasty exotic foods. It is just as we try to beautify our body as if... in this extraordinary creation by Mother Nature was incomplete!

Most elementary food is Roti – flat round Indian bread, and its regional variations. It is by now known in many parts of the world. Roti is made of flour of different grains: maize, rice, millet, finger millet, bulrush millet, barley or wheat. Rich Indian biodiversity also offers variety in various grains.

To make Roti all that you need are: Tava - a concave plate of clay or iron to bake, a wooden or metal plate to knead flour, salt, Chulah – hearth – of clay or just three stones, brush wood for fire  and, of course, water. I believed Roti is indeed a 'minimal' food, until I tasted baked maize loaf made by Bhill aborigines.

Henry D. Thoreau in 'Walden' (pp 99-101) writes about bread by Red Indians, which may not be different from maize Roti made by Bhill and other aborigines and peasants in India. Thoreau writes by experiments and experience of Indian bread, not by impressions.

Minimalist maize loaf by Bhill aborigines

Bhill Festival at Mahi River, Kadana, Gujarat

It was three day annual fair during spring on Chaitri Poonam (full moon day: this year on 18-04-2011). Bhills from Gujarat, MP and Rajasthan states had gathered on the white sands on bank of Mahi River among hills near village Kadana.

I camped there for three days and nights in the open (no bed, no sleeping bag) among Bhill families. At night all would sleep around campfires. They get up at an early hour. First the women take bath in the river, and then men follow. As I come out of warm water I felt thousand pin pricks. No sooner the Sun appears the water becomes very cold. After bathing it is time for breakfast.

Adivasi women started to prepare breakfast, before daybreak. They made balls of kneaded maize flour, wrapped each in the leaves of a specific plant and put them in the campfire. By the time bathing is over the freshly baked maize loaves are ready for breakfast.

The taste, flavour and nutrition of the maize loaf were extraordinary. It remained in my memory as unique and only experience of lifetime. And also the memory of their warm hospitality, though I was a total stranger.

Ingredients of maize loaf are flour, salt, river water, wooden bowl, leaves and brushwood fire; that's all. This could truly be called ‘minimal’ and 'environmentally sustainable' food and way of living, both.

'It is Walking, not the Way' — Vatsyayana      

Hunger is basic to body and mind. Food nourishes both, body and mind. Yet we are only custodians of our body and mind. In transplant operations heart is kept alive outside of body by supplying energy. Why boast it is my heart?

Minimal object is possible when one follows minimal 'way of living', which can't be called 'life-style': No compromises.

Ancient flute of bone 30000 ybp (Credits: NYTimes)

 Source: The New York Times

Note: There are number of "minimal" artefacts people use. Bamboo flute is has ancient origine. Archaeologists have discovered 30,000 years old bone flute some time back. I took my lesson on slate. People still take lessons on slate; Rangoli is another ancient example of "minimal" (land) art.Traditional nine yard Sari in India is single piece dress for women, which is a minimal artefact; many do not even wear a blouse. However a bikini, which is displayed on a fashion ramp, is only a minimum object, and must not be mistaken as minimal. In his paintings Raja Ravi Varma uses Sari for his female subjects. Haiku in poetry is indeed minimalist.

Rangoli inscribed on Mumbai's roadside pavement

Swastika in the centre of this image is repeated for ages

  a million times by women in India.

It is believed this action draws Cosmic Energies.

Remigius de Souza | Mumbai
22-04-2011

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©Remigius de Souza, all rights reserved.

Indian Schooling

In the year 1947 India's population was about 400 millions, and 60% to 70% persons were illiterate. Presently there are 400 millions illiterate persons. What at the beginning of 20th century G. K. Gokhale attempted, to bring 'free and compulsory education to all, is still not fulfilled.

Indian Schooling

I HAD AN OPPORTUNITY to watch a short play on Door Darshan (DD), India's State TV channel, on 21-09-1989, in the afternoon transmission. It was on the occasion of International Year of Literacy. The play was about schooling. Now I, sort of, admire its main actors, Sulabha Deshpande and A. K. Hangal. I consider them to be respectable artists in the Indian cinema, TV and theater.

The play is obviously propaganda for the good cause of the spread of education by schooling. In the play an old lady (Sulabha Deshpande) wants the little boy to go to school so that he does not remain stupid like her old man (A. K. Hangal).

The boy looks after the goats and does not want to go to school. At last the old lady sells the goats. But the boy is upset. He refuses to go to school. He even attacks the other boys who come to take him bodily to school.

I wondered if Hangal and Sulabha pondered for a while over the treatment of the theme!
Here the goats are projected as the pets in the affluent families like pedigree dogs, horses, cats etc. For a villager a goat, cow, buffalo or hen is a means of livelihood.

Why then is the old man said to be stupid? Is it because he is poor? He is poor perhaps because he has been exploited first by British rulers and now by the industrialized society in India?

Why is schooling so important that one should give up the very means of livelihood – goats? Why is the rearing of animal so inferior? (Well. Some people consider that the goat is an enemy of forestation. Forestation means left over — whatever that is left after modern man — has eaten away the forest. Otherwise the goat is a sturdy animal which can live in the deserts as well as mountains, in hot as well as cold climate and is most economical to maintain for the poor. Its milk is medicinal.)

I wondered, couldn’t a goat, a tree, a paddy field, the making of an earthen pot, or moving of a plough in the field be part of schooling in India?

Why can’t actual cooking or preparing food, treating the sick, growing a kitchen garden, Milking a goat or a cow (the method of milking is different for each of these animals), making a toilet, urinal, treating garbage in the village, potatoes and onions, water and washing, sand dunes and ravines, cyclones and floods be part of schooling — actually, not merely verbally — not merely on the blackboard — either inside or outside the school building?

But the system the British started is so powerful that there is not much change except in nomenclature and timings.The so-called educationalists are still in the grip of the system started by the British. The play that was shown on DD is typical of the way the educated, the urban elite project schooling and education.

What if 5.57 lakhs of villages in India gave up rearing animals?

What if every family of 557 thousand households brings up graduates, masters and doctorates? Then, perhaps, those sitting in the chairs will lose the power game, of musical chairs; they play with lives of poor people. Finally, what is the relevance of present day English-made schooling in the eyes of these villages where 70% of the population is still illiterate?

This English-made system of education has not much changed since it started in this vast country made up of villages having a variety of landscapes, regions, climates, dresses, tongues, topography.

I take a little time off to ponder meanwhile this ‘natak’ (play or Tamasha) of Door Darshan brings insult and humiliation to realities of living in an Indian village!

For further reading: 1. Politics of Literacy in India; 2. Farming and the Politics of Education in India; 3. One Step Quantum Jump in Education; 4. Letters and Numbers, plus ‘Things to Make': Restructuring (Indian) Education 

Note: After twenty years I find this note is still valid. It has not changed the situation other than few numbers, while the population is growing. I republish it.

[Published in (1) GOGRAS, publishers Akhil Bharat Krishi Goseva Sangh, Vardha, India 442001, March 1990, year 14, issue 5, p. 236-7; (2) FOURTH WORLD REVIEW, Issue 44, p 14, The Close, 26 High Street, Purton, Wiltshire SN5 9AE, UK. 1990]
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©Remigius de Souza, all rights reserved.